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WATTEAU, Antoine
(1684?C1721).
French painter of Flemish descent, b. Valenciennes. Until 1704 poverty forced him to work in the shops of mediocre artists, where he produced genre and devotional subjects. In 1704?C8 he studied in the studio of Claude Gillot, an adept painter of scenes of theatrical life, which later became the subject of some of Watteau's finest paintings, such as Love in the Italian Theatre and Love in the French Theatre (both: Berlin). In 1708?C9 Watteau worked with the decorator Claude Audran. Watteau attracted the attention of eminent patrons in his last years, including the comte de Caylus, his biographer, and in 1717 he was made a full member of the Acad??mie royale. The Embarkation for Cythera (1717; Louvre) is characteristic of his art; it is a delicate, courtly fantasy, represented in warm and shimmering pastel tones that place him among the great colorists of all time. A lyric, Giorgionesque quality pervades his airy, gay, and sensuous scenes, which have a poignancy that none of his followers attained. Out of the most fleeting aspects of life he created an enduring and individual art. His exquisite paintings influenced fashion and garden design in the 18th cent. Other outstanding works include Gilles (Louvre), Perspective (Mus. of Fine Arts, Boston), Mezzetin (Metropolitan Mus.), and Gersaint's Shop Sign (1719; Berlin). Related Paintings of WATTEAU, Antoine :. | Head of a Man | Three Studies of a Lady with a Hat | The Island of Cythera | Die Champs Elyssees | The Savoyard | Related Artists: Hirshfield MorrisAmerican artist
1872-1946
American painter of Russian-Polish origin. He claimed to have carved wooden ceremonial objects as a young boy, but ceased to create until he retired from his clothing manufacturing concern and began to paint. When Sidney Janis was arranging an exhibition of American folk art for MOMA in 1939, he saw Hirshfield's naive works in a gallery in New York. He exhibited two in the show and organized a one-man show for the artist in 1943; he also purchased two works, including Beach Girl (1937; New York, MOMA). In such paintings Hirshfield based large areas of the overall design on the fabrics with which he worked during his years in business, and his outlined forms on the art of patternmaking. Johan Fredrik KrouthenSwedish, 1858-1932 Karel Slabbaertpainted A toebackje still lifein 1641
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